· Jacopo D’Alonzo · PID: http://hdl.handle.net/21.11108/0000-0007-CA90-2 1 Introduzione Che cos’è la filosofia? Questo il titolo che il filosofo italiano Giorgio Agamben ha deciso di dare a un suo recente saggio. Evidentemente, Agamben ha sentito il bisogno di tornare a ragionare […]
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La maniera di Pier Paolo Pasolini ‒ Bildtradition und Nachkriegszeit
· Marijana Erstić · PID: http://hdl.handle.net/21.11108/0000-0007-CA91-1 Die Ausstellung Maniera – Pontormo, Bronzino und das Florenz der Medici im Frankfurter Städel-Museum (24. 02. 2016 – 05. 06. 2016) ist in der Presse als das Beispiel einer gelungenen Aktualisierung gefeiert worden. Mit […]
Read moreDie Sammlung Ulrich Wilke
· Jürgen Weichardt · PID: http://hdl.handle.net/21.11108/0000-0007-CA92-0 Vorwort Sammeln ist wie das Eintreten in eine fremde Welt, von der einige Strukturen vielleicht bekannt sind, aber wesentliche Inhalte erst entdeckt werden müssen. Andere Menschen daran teilhaben zu lassen, ist eine über das […]
Read moreThe Metamorphoses of Dafne (and Apollo): the Birth of Opera at the Crossroads of Genres
· Alessandra Origgi · PID: http://hdl.handle.net/21.11108/0000-0007-C2D6-C The relationship between poetics and literary practice within Italian literature in the seventeenth-century represents one of the most central – and controversial – research topics in early modern drama. Understanding the relationship becomes even more […]
Read moreDrama and the notions of literary propriety and verisimilitude in Francesco Robortello’s paraphrase on Horace’s Ars Poetica
· Anna Le Touze · PID: http://hdl.handle.net/21.11108/0000-0007-C2D5-D The chief doctrine in the Ars Poetica is the doctrine of literary propriety, or decorum. Cicero supported this doctrine, and the commentators found support for it in both the Poetics and Rhetoric. As a […]
Read moreTragedy ends unhappily: the concealed influence of medieval poetics in early modern theory of tragedy
· Enrica Zanin · PID: http://hdl.handle.net/21.11108/0000-0007-C2D3-F We are accustomed to think that tragedy should end unhappily. We generally use the word «tragic» to describe an event that unexpectedly ends in sorrow and misery. The sad ending seems to be a rule of […]
Read moreThe Early Reception of Aristotelian Poetics
· Rolf Lohse · PID: http://hdl.handle.net/21.11108/0000-0007-C2D2-0 The neo-classical European theater came into being more than 500 years ago in Italy. Mundane Italian comedies and tragedies were drafted on the basis of classical Greek and Roman drama genres and met a tremendous […]
Read moreWhat happens to Aristotle in practice?
Sperone Speroni’s Canace before the background of the Accademia degli Infiammati and Elevati
· Simona Oberto · PID: http://hdl.handle.net/21.11108/0000-0007-C2D1-1 Alongside with the rise of interest in new philosophical, scientific, linguistic and literary-poetic fields of knowledge Italy’s 16th century presents a peculiar cultural mass phenomenon implemented mainly by a socio-intellectual elite, which leads to the […]
Read moreImmagini in movimento: l’Italia del Rinascimento tra Jacob Burckhardt e Friedrich Nietzsche
· Luca Farulli · PID: http://hdl.handle.net/21.11108/0000-0002-4495-9 Raramente un saggio storiografico ha esercitato, nel tempo, la stessa forza paradigmatica posseduta da La civiltà del Rinascimento in Italia, pubblicata da Jacob Burckhardt nel 1860. La modalità panoramatica con cui esso presenta la Kultur […]
Read moreDie Avantgarden auf der Suche nach neuen Identitäten
· Sabrina Maag · PID: http://hdl.handle.net/21.11108/0000-0002-449A-4 Die Avantgarden befinden sich an einer zentralen Stelle innerhalb eines zeitlichen Bogens, der die Entwicklung umfaßt, die bei Italien als unumstrittenen Vorbild für deutsche Künstler ihren Anfang nimmt und ein vorläufiges Ende hat in der […]
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